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  Breathless and blinking like a newborn, he came back to the world around him, awakening first to rapt silence as the last notes died away, and then to applause and cheers and amazement.

  “Well, did you ever!”

  “I had no idea he could—”

  “By God! Now, that was something!”

  And he was surprised to see that sometime during the concerto, Kate had come to sit beside him on the bench, and that she was sobbing.

  “Ne meurs pas, mon amour! Don’t die on me!” she begged as he took her in his arms. “Don’t die, Doc. Please, don’t die.”

  “I am doin’ my best, darlin’.”

  “Promise you won’t leave me!”

  “You have my word. Hush, now. Hush. Don’t cry.”

  “Promise you won’t leave?”

  “I promise.” He gave her a handkerchief.

  “Liar! Everyone leaves,” she muttered bitterly, and blew her nose. “Or they die.”

  “You have me there,” he admitted. “Everybody dies.”

  She laid her head against that traitorous, murderous chest of his.

  “Oh, Doc,” she whispered, “I want to go home.”

  “I know, darlin’.”

  “Take me home. Please, Doc, take me home!”

  “And where is that?” he wondered. “Where is home for us now?”

  Us, she thought.

  She started to laugh, and wiped her eyes, and said, “Las Vegas! Please, Doc, let’s try it. Just six months! Please!”

  “No,” he told her, though he held her close. “No, and that’s final.”

  In late April of 1879, Dr. Robert Holliday received a note postmarked “Dodge City, Kansas.”

  Please forgive the long silence. I have been poorly for some time and my health remains brittle. This is to inform you that I will be moving to Las Vegas in the New Mexico Territory. I have made a place for myself in Dodge and I am sorry to leave, but the winter is severe here, perhaps worse for me than summers back in Georgia. There are hot springs near Las Vegas and a sanatorium that is the latest thing in tubercular Society. We club together and pay some quack who pretends to know what’s good for us while we cough our lungs out. I don’t put much stock in the enterprise, but I have a passel of children praying on me and I hate to disappoint them. Tell Martha Anne I will write soon. Give my love to the family, and tell Sophie Walton how much I miss her.

  —YOUR COUSIN JOHN HENRY

  The Bitch in the Deck

  In 1930, the Arizona Pioneers’ Home in Prescott admitted an eighty-year-old woman who called herself Mary K. Cummings. By the end of her first week, the old lady was thoroughly disliked by the entire staff. Their antipathy was returned, in spades. Imperious, opinionated, blunt, and profane, Mrs. Cummings would spend the next ten years firing off ungrammatical letters to the governor of Arizona, informing him of graft, corruption, inefficiencies, and generalized malfeasance by the employees of the Arizona Pioneers’ Home and demanding an official investigation of conditions there.

  The governor’s replies, if any, have not survived.

  Mary K. Cummings was merely the last in the old woman’s impressive collection of names. The baby who began life in Hungary as Mária Katarina became María Catarina in Mexico, Mary Katharine in Iowa, and just plain Kate in Kansas. Her maiden surname was certainly Harony. Or perhaps Haroney. Whether she really married Silas Melvin as a pregnant teenager is unclear. She used the surname Fisher for a while and was also known as Katie Elder while a working whore in Kansas, Texas, and Arizona. Nobody ever called her Big Nose Kate to her face.

  Not twice, anyway.

  In her old age, Kate sometimes claimed that she had married John Henry Holliday. That was wishful thinking, though it was true that they were together, off and on, for the final nine years of his life. After Doc’s death, Kate did marry a blacksmith named George Cummings; he turned out to be a mean drunk so she left the bastard, though she kept his name. Finally, at the turn of the century, she became the housekeeper for a mining man named John J. Howard. With no disrespect to the dead, we may wonder if Kate was more to him than a housekeeper, for she stayed with Mr. Howard for three decades; upon his death, in 1930, she became both executrix of his will and sole heir to his modest estate.

  In 1939, a year before she died, Kate was approached by two publishers who wanted her to write a memoir about the legendary gunman Doc Holliday. She was surprised to find that anyone was still interested. Doc had been briefly famous, along with the Earp brothers, after the gunfight at the O.K. Corral, but nearly sixty years had passed since that half-minute shoot-out.

  Doc himself and his family back in Georgia were deeply distressed by the notoriety that attached itself to his name after the events in Arizona. He moved to Colorado and he did his best to live there quietly, but his efforts to drop out of sight were only partially successful. Toward the end of his life his name was in the newspapers again when he shot a man named Billy Allen. For all Doc’s reputation as a deadly pistoleer, he only wounded Allen. After he was arrested for attempted murder, John Henry Holliday’s entire defense was to sit in a Leadville, Colorado, courtroom—all 122 pounds of him—coughing relentlessly. When it came time to speak, he admitted that he was destitute. In desperation, he had borrowed five dollars from Billy Allen and was unable to repay the debt on time. Allen, who outweighed Doc by fifty pounds, had declared to all who would listen that he planned to kill Doc over the matter.

  “If he got hold of me, I’d have been a child in his hands,” Doc said, and everyone in court could see that was true.

  Sick as he was, Doc testified, he still valued his life, and so he had defended himself. After a few minutes’ deliberation, the jury voted to acquit, but the trial was a sorry affair that made humiliating headlines and added misery to Doc’s last months.

  Thirty years later, Bat Masterson earned Kate’s everlasting contempt by pimping Doc’s memory in a magazine article that portrayed the dentist as a bitter, bad-tempered drunk who killed without cause or conscience—libel that would be repeated for a hundred years. Then, in 1931, a successful posthumous biography of Wyatt Earp reminded people of Doc’s part in the Tombstone gunfight. It was Wyatt’s defense of Doc’s good character that sent those two publishers to Kate when they heard that Doc Holliday’s woman was still alive.

  After some thought, Kate concluded that Doc would have been pleased if she could turn his misfortune to her advantage. She had almost signed the book contract when she found out the cheap bastards weren’t going to pay her for the work, so she told the publishers to go to hell.

  Nevertheless, thoughts of Doc preoccupied Kate at the end of her own long life. Of all the men she’d been with—and there must have been a thousand or more in two decades of active frontier prostitution—only John Henry Holliday remained memorable. The rest were as obvious and as easily dealt with as a phallus. Doc was different, start to finish. She never truly understood that man, but she loved him in her way.

  A single letter from Kate has been preserved. Written in the last year of her life, it includes an outline of her time with Doc and an unflattering portrayal of Wyatt Earp, whom Kate considered an illiterate bumpkin. She hardly mentioned Morgan; that might seem odd, but Kate was the kind who remembered animosity more passionately than affection, and it was impossible to dislike Morgan Earp. He and Kate had forged a bond at Doc’s bedside back in Dodge, and she always appreciated the way Morg could tell when his own easy strength and robust health were a comfort and a support to Doc, and when they felt like mockery and an undeserved rebuke.

  That first hemorrhage was neither the last nor the worst that Doc survived, but it remained the most frightening—for Doc himself and for those who cared about him. “You get used to it,” Doc always said. “You can get used to anything.” Used to the gnawing pain; used to the sudden taste of iron and salt; used to the struggle to pull air in as blood from his lungs rose. After 1878, Kate and the Earps knew what to do when Doc started coughing blood and they, too, got
used to the way he would rally and recover. “Cheatin’ the Fates is gettin’ to be a habit,” Doc would say, but his cough and breathlessness worsened steadily, and each successive episode of bleeding left him weaker than before.

  Please thank the children for their prayers and tell them I am not dead yet, he wrote in a letter to Alex von Angensperg after a bout of pneumonia in December of 1879. That said, I appear to be decomposing considerably ahead of schedule. Kate finds me poor company.

  And so did everyone else.

  When he was sober, intensifying pain left him sleepless and short-tempered, so he drank to get relief, and it took a lot of bourbon to do the job. When drunk, he found it difficult to govern his sly, teasing tongue. Either way—sober and snappish or drunk and droll—he was accumulating enemies. Warned, he was defiant. Kate began to feel that he was courting death and left him twice, but came back again when he asked her to join him in Tombstone.

  By then liquor had begun to erode the quick wit and thoughtful intelligence that Morgan had liked so much in Doc. He, too, was worried by the chances Doc took, but no matter how difficult Doc became, Morg stuck by him. “He is a brother to me,” Morg always said. That loyalty was mutual. When the Clanton and McLaury brothers faced off against the Earps at the O.K. Corral in October of 1881, John Henry Holliday stood at Morgan’s side.

  In Kate’s opinion, the men involved in that shoot-out were spoiling for a fight and they got what they all wanted. Her account of the showdown in Tombstone is remarkable for its focus on the aftermath, when Doc retreated to their hotel room, sat on the side of their bed, and wept. He seemed stunned that what started as a misdemeanor arrest had gone so wrong, so quickly. Three men dead; Morgan and Virgil Earp badly wounded. “Doc was all broken up,” Kate recalled, “and he kept saying, ‘This is awful. This is just awful.’ ” Kate herself was worried that Wyatt and Doc would be lynched by Ike Clanton’s friends.

  Morg and Virgil recovered. Doc and the Earps were exonerated of wrongdoing by a judge, but Kate was right. Ike’s friends weren’t the kind to forgive and forget. On the night of March 18, 1882, Morgan Earp was shot in the back while playing billiards: retaliation for the deaths of the three men killed during the gunfight at the O.K. Corral.

  When Morgan died in Wyatt’s arms, no one—not even Virgil or James—understood the depth of Wyatt’s loss or shared his grief and rage and guilt as fully as Doc Holliday. It was Doc who bought the blue suit that Morgan was buried in. And when Wyatt Earp left Tombstone to avenge his brother’s murder, Doc Holliday was right beside him.

  From that day forward, legend would link their names as halves of an iconic frontier friendship, but Kate knew the truth. Without Morgan to draw them together, Wyatt and Doc had little in common apart from the desire to see Morg’s killers dead in the dirt. When that was accomplished, Wyatt and Doc split up and soon lost contact.

  Kate was glad of that at first. She had never liked Wyatt, but with Morgan gone and the Earps scattered, the full burden of Doc’s care soon settled onto her own small shoulders. That load was sometimes more than she could bear.

  Doc understood why she fled and never held it against her. Kate is gone again and it is my fault, he wrote to Alex von Angensperg in a copperplate hand loosened by drink. She is weary of life with a man who has been dying for years and cannot seem to finish the job. The strain of a long illness will exhaust the most compassionate.

  Despite Kate’s occasional interference, John Henry had continued to correspond with his cousins, though his notes became brief and infrequent as his condition deteriorated. When Martha Anne wrote of her decision to enter the Catholic Order of the Sisters of Mercy, it made no great difference between them. Distance and time had worked their changes. Their childhood romance had long since mellowed into cousinly caring. John Henry’s last letter to Sister Mary Melanie was dated May 5, 1887, and postmarked in Leadville, Colorado. Thank you for your prayers, dear heart. I have nothing happy to report. I will be moving to Glenwood Springs when I am well enough to stand the journey. Mountain air may help.

  If anything, Glenwood’s thin air and sulfur springs hastened his decline. In September, Doc wrote to Kate, asking her to join him. She could tell from his handwriting how weak he was and came as quickly as she could. He was waiting on a bench at the stagecoach depot the afternoon she was due to arrive. Kate walked right past him.

  He called her name. The effort set off a coughing fit more recognizable than the man himself. Eyes hollow, cheeks sunken, John Henry Holliday was a fragile old man at thirty-six: bent and emaciated, his fine ash-blond hair now thinned and silver-white.

  He had beaten the odds before and believed that, with Kate’s care, he could do it again. But there are games that cannot be won, no matter how cleverly they are played. Consumed by fever, weakened by pneumonia, undermined by alcohol and laudanum, exhausted by the violent cough that shook him day and night, John Henry Holliday died, like his mother before him, too young, after a terrible struggle with tuberculosis.

  Kate was at his side.

  He had wished to leave some sort of legacy but he was penniless at the end. Kate used her own savings to pay his bill at the Glenwood Springs Hotel. In memory of Doc’s ruinous, reflexive openhandedness, she even gave small cash gifts to members of the hotel staff who had been especially kind to them during the last days of Doc’s life.

  The Deadly Dentist’s malign reputation had grown larger as the man himself dwindled, but people in Glenwood Springs would remember Doc Holliday with respect. As the hotel bellhop told a reporter, “We all liked him. He bore his illness with fortitude, and he was grateful for the slightest kindness. Doc was a very fine gentleman, and he was always generous when he tipped.”

  It was his hands that Kate would remember.

  After that autumn back in Dodge, Kate was always aware of how loose Doc’s grip on life was, of how easily life could be pulled away from that frail, fierce, proud man. For years, she had feared that one day he might simply let go of life, or fling it away in a moment of disgust or despair, but to the very end, those skillful, talented, beautiful hands remained the strongest part of him. It was only as he lay dying that she understood just how much John Henry Holliday had wanted to live.

  After Kate’s own death in 1940, scraps of notes were found in her belongings. Several appeared to be part of what might have become a longer account of her life with Doc. He was considered a handsome man, she wrote. He was a gentleman in manners to the Ladies and everyone. He was a neat dresser and saw to it that I was dressed as nicely as himself. On another page she wrote, Being quiet, he never hunted trouble. If he was crowded he knew how to take care of himself. He was not a Drunkard, she insisted. He always kept a bottle near, but when he needed something for his Pain, he would only take a small drink.

  Other notes were more philosophical. Doc Holliday learned to live without fear the year he met me, but Hope tormented him. And another read, Doc was the only American I ever met who was better educated than me. There was also the start of a letter to Sophie Walton, an elderly woman herself by then, still living with members of the Holliday family. Kate wanted to tell her that Doc always drank a toast “To Sophie” whenever he won big; the letter was never sent, probably because Kate didn’t know Sophie’s address.

  So there is reason to believe that Kate was planning to write a memoir, though she was nearing ninety when she started and didn’t get far. Perhaps she simply didn’t have time to see the project through. Perhaps she found it too difficult to write in English, never her strongest language. Magyar and German were both wrong for the task. Her French and Latin were good; either might have fit her story.

  Ultimately, she may have settled upon Greek. There was a short but complete essay about the derivation of the name Odysseus, which Kate translated as “One who, being wounded, wounds.” And then there was this.

  O divine Poesy, goddess-daughter of Zeus!

  Help me sing the story of

  A various-minded vagabond:

 
; Forced by the Fates into far exile,

  Made sport of by heartless Hope

  When, all the while,

  His heart hungered for home.

  Thus sang Blind Homer of Odysseus,

  who was wily to begin with

  and made more so

  by his wanderings.

  And that was the Doc Holliday I knew.

  At the bottom of the page, there was one last line in an elderly woman’s wavering, spidery script.

  Calypso did the best she could.

  Author’s Note

  When Homer sang of Troy and Vergil wrote of Carthage and Rome, no one expected a bright line to divide myth from history. Arriving at the end of historical fiction today, the modern reader is likely to wonder, “How much of that was real?” In this case, the answer is: not all of it but a lot more than you might think.

  To simplify the narrative in the first chapter, I have taken liberties with the details of John Henry Holliday’s childhood, but the portrayal of his character and personality is firmly based on Karen Holliday Tanner’s biography Doc Holliday: A Family Portrait (University of Oklahoma Press, Norman, 1998). A member of Doc’s own family, Tanner had unprecedented access to private records and family documents, including one that recorded Sophie Walton’s memories of John Henry before he went west for his health. Tanner took care to verify or debunk the many claims of murder and mayhem made against the man; her research has allowed me to write about Alice McKey Holliday’s son, and not about the many fictional characters who have borne John Henry Holliday’s name.

  Tanner’s biography also provides genealogical charts showing the relationship between John Henry’s first cousin Martha Anne Holliday and the novelist Margaret Mitchell. Mitchell grew up hearing family stories about the war and later used them as background for Gone with the Wind; anyone familiar with Tanner’s Doc Holliday will notice many elements of Holliday family history in the Mitchell novel.